Working here

For one month, TARS Unlimited suspends its usual function. The second floor, ordinarily a space of finished work, framed and priced, becomes a studio: unresolved, provisional, alive with process.

WORKING HERE invites two artists to occupy the gallery not as a venue for exhibition but as a site of production. Warot Jarusirikul develops a newly commissioned piece; Julia Phetra Oborne builds a body of work specific to the space itself. Neither arrives with a finished object. What the audience encounters instead is labor were decisions made, discarded, remade in real time.

This is a deliberate departure from how the gallery usually operates. A gallery's authority typically rests on distance: the work arrives resolved, its process invisible, the audience meeting only the outcome. WORKING HERE closes that distance. Visitors are not spectators of a finished exhibition but witnesses to its becoming and present for false starts as much as breakthroughs, welcome to return and find the room changed.

Across four weeks, we'll share updates as the work develops: a public record of two practices unfolding in parallel, in the same room, under the same light.